Издание содержит: научное изучение времени и информации; философское изучение времени и информации; практическое применение знаний о времени и информации и др.

Издание адресовано научным работникам, преподавателям, студентам и аспирантам, а также практикам, интересующимся вопросами философии.

The report brought to the section members’ notice issues consideration of the major tendencies of religious and aesthetic medium transformation laying the emphasis on the major factors of this transformation together with its socio-cultural basis. Based on the comparison of the processes taking place within Catholicism, Protestantism and Orthodoxy the report marks the concurrency of religious and aesthetic processes present within the named confessions which challenges the idea of absolute uniqueness of religious and aesthetic experience of the orthodox in Russia (...) nowadays. The syncretism in the first place and dialectical unity of fundamentalism and modernism in the second, can be considered as the leading tendencies of transformation of religious and aesthetic medium of modern Christianity. (shrink)

Simulation and Similarity is a novel and comprehensive account of, in first place, models and modeling. The author’s writing is exceptionally clear and intelligible. Simulation is referred to in the book only once, where it is defined as a kind of numerical analysis involving “computing the behavior of the model using a particular set of initial conditions” (82). Modeling, which is defined as “the indirect study of real-world systems via the construction and analysis of models” (4), appears to be the (...) primary focus of this book. This emphasis seems legitimate because the modeling practice precedes any simulation and is the key to its understanding as well.Chapter 2 “Three kinds of models” presents an account of the following kinds of models: concrete models (San Francisco Bay model being an example), mathematical models (Lottka–Volterra model of predation as an example), and computational models (illustrated by Schelling’s segregation model). First model example is a hydraulic one; the .. (shrink)

The difficulty of the task that the authors of this book have posed themselves is due in the first instance to the fact that this period has been very little studied in the history of philosophy. In applying the term "early Russian philosophy" to the set of ideas, images, and conceptions of a philosophical order contained in the cultural texts of the tenth through the seventeenth centuries, M.N. Gromov and N.S. Kozlov see it not simply as a specific stage in (...) the development of Russian philosophy but as a "very particular phenomenon that is qualitatively unique and requires special study" . Thus the authors declare their own position in the far from finished debate about the specificity of Russian philosophy and the distinctive features of its historical development. They rely not only on the vast treasury of early Russian texts that have come down to us but also on the scholarship of historians of literature, language, painting, architecture, folklore, and other areas of culture. Of course, the book also gives careful consideration to the few studies that have been devoted to the historical-philosophical analysis of early Russian culture, from the works of the Archimandrite Gavriil to the most recent works by Soviet and foreign authors published in decades just past. (shrink)

In my opinion, the so-called revolution in science and technology has virtually no influence on art.